The Standing Thirds
A pattern you can name is easier to catch than one you can only describe, and a pattern with a face is easier to name than one with a definition. Each figure here recurs reliably enough, across enough lives, to be worth naming, and none of them has intentions.Every one passes the same four tests: a Local Rule generates it, it's a Third Thing, it has two poles with neither one good or evil, and there is somewhere to push. The six kinships aren't ranks. Each figure sits at the scale of what it's made of: Self, Dyad, Skein, Culture, World, or Cosmos.The full framing is here.
The Self-Kin
The innermost ring — Self.Twelve patterns one person generates alone, by repeating one thing. Nothing in this catalogue sits underneath them: every figure in every ring further out is built by fusing these together.
The Dyad-Kin
The second ring — Dyad.Nineteen figures, each one two Self-Kin running in two people. My loop, meeting yours, producing something neither of us brought — which is why each of these names two parents rather than standing alone.
The Skein-Kin
The third ring — Skein.Eleven figures, each built from two Dyad-Kin that share a person. This is the mechanism by which a group stops being a list of people and becomes a thing in its own right.
The Culture-Kin
The fourth ring — Culture.Seven figures slow enough that no single life watches one complete a full turn. This tier sits three inference-layers deep, composed from Skein-Kin rather than observed directly, and the book names it the most provisional part of the catalogue.
The World-Kin
The outermost drawable ring — World, drawn only when the question is genuinely about the world.Three figures, and only three: run the rule two Culture-Kin sharing a Skein-Kin against the seven Culture figures, and it produces exactly these and no others. The last tier where a push still reaches — one further out, and leverage runs out entirely.
The Cosmos-Kin
Never drawn — the boundary the other five rings already sit inside.A kinship of exactly one, and meant to stay that way. It is the only figure here with no Tending and no Fraying pole, and the exemption is structural rather than convenient: a pole has to be read from somewhere, and there is nowhere outside this one to stand.
The roster was never meant to be complete. What This Catalogue Is Notexplains how a new pattern earns its place — and when a Weaving puts these figures to work, that happens here.